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The first Indian sound film, Ardeshir Irani’s Alam Ara (1931), was a major commercial success.There was clearly a huge market for talkies and musicals; Bollywood and all the regional film industries quickly switched to sound filming.Some of the most famous epic films of Hindi cinema were also produced at the time, including Mehboob Khan’s Mother India (1957), which was nominated for the Academy Award for Best Foreign Language Film, and K. Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, popularized the theme of reincarnation in Western popular culture.Other acclaimed mainstream Hindi filmmakers at the time included Kamal Amrohi and Vijay Bhatt.

The name “Bollywood” later arose as the Bombay-based film industry overtook the one in Tollygunge as the center of the Indian film industry.Film poster for first Indian sound film, Ardeshir Irani’s Alam Ara (1931) Nargis and Raj Kapoor in Awaara (1951), also directed and produced by Kapoor.It was nominated for the Grand Prize of the 1951 Cannes Film Festival.Their critical acclaim, as well as the latter’s commercial success, paved the way for Indian neorealism and the Indian New Wave.[23] Some of the internationally-acclaimed Hindi filmmakers involved in the movement included Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani, Shyam Benegal and Vijaya Mehta.Ever since the social realist film Neecha Nagar won the Grand Prize at the first Cannes Film Festival,[21] Hindi films were frequently in competition for the Palme d’Or at the Cannes Film Festival throughout the 1950s and early 1960s, with some of them winning major prizes at the festival.

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